Juan Bautista Martinez del Mazo
1612-1667 Spanish Juan Bautista Martinez del Mazo Gallery Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa. Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.

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Juan Bautista Martinez del Mazo The Artist's Family oil painting


The Artist's Family
Art History Museum, Vienna
Painting ID::  2889
Juan Bautista Martinez del Mazo
The Artist's Family
Art History Museum, Vienna
   
   
     

Juan Bautista Martinez del Mazo konstnarens familj oil painting


konstnarens familj
olja pa duk 174.5x148cm forvarvad i italien 1800 se
Painting ID::  70824
Juan Bautista Martinez del Mazo
konstnarens familj
olja pa duk 174.5x148cm forvarvad i italien 1800 se
   
   
     

Juan Bautista Martinez del Mazo Retrato de la infanta Margarita oil painting


Retrato de la infanta Margarita
ca. 1659(1659) Oil on canvas 212 ?? 147 cm (83.5 ?? 57.9 in) cjr
Painting ID::  76573
Juan Bautista Martinez del Mazo
Retrato de la infanta Margarita
ca. 1659(1659) Oil on canvas 212 ?? 147 cm (83.5 ?? 57.9 in) cjr
   
   
     

Juan Bautista Martinez del Mazo Empress Dona Margarita de Austria in Mourning Dress oil painting


Empress Dona Margarita de Austria in Mourning Dress
Date 1666(1666) Medium Oil on canvas Dimensions 209 ?? 147 cm (82.3 ?? 57.9 in) cyf
Painting ID::  77932
Juan Bautista Martinez del Mazo
Empress Dona Margarita de Austria in Mourning Dress
Date 1666(1666) Medium Oil on canvas Dimensions 209 ?? 147 cm (82.3 ?? 57.9 in) cyf
   
   
     

Juan Bautista Martinez del Mazo The Empress Dona Margarita de Austria in Mourning Dress oil painting


The Empress Dona Margarita de Austria in Mourning Dress
1666(1666) Medium Oil on canvas Dimensions 209 x 147 cm (82.3 x 57.9 in) cyf
Painting ID::  78141
Juan Bautista Martinez del Mazo
The Empress Dona Margarita de Austria in Mourning Dress
1666(1666) Medium Oil on canvas Dimensions 209 x 147 cm (82.3 x 57.9 in) cyf
   
   
     

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     Juan Bautista Martinez del Mazo
     1612-1667 Spanish Juan Bautista Martinez del Mazo Gallery Mazo??s works owe credit above all to Vel??zquez, whose style he was long compelled to emulate in court portraits. However, Mazo shows in his paintings a personality of his own. His portraits exhibit startling naturalism and marvelously executed. Mazo was specially skillful in painting small figures, a cardinal element in both his hunting scenes and the landscapes he painted as in his most celebrate work View of Saragossa. Mazo??s palette was rather like that of Vel??zquez, except for a penchant often shown for stressing blue or bluish tints. .The departure from his master style was in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background.. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish.. A further departure from Velazquez is his luxurious depiction of detail or incident, which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or plain grounds. .These stylistic traits reveal Mazo??s own personality as an artist. .For centuries, Mazo??s paintings were attributed to Vel??zquez, but modern art criticism, techniques and knowledge have been able to separate their works.

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